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TCXD850 Extreme With TCXD850 Controller

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TCXD850 Standard  With TCXD850 Controller

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TriCaster™ TCXD850 is designed to meet the most demanding high definition (HD) production requirements. Packing the capabilities of a network television studio into a versatile, 4U rack mount system, TriCaster TCXD850 is also suitable for desktop and portable live production. With the ability to simultaneously broadcast, live stream, project and record network-quality HD video, TriCaster TCXD850 allows you to get your message to a global audience, quickly and easily. Now, you are free to build your brand, extend your reach and increase your advertising inventory and sponsorship revenue – anytime, anywhere.

More and more people rely on live video for information and entertainment, from traditional broadcasts, to the Internet and other digital media. With TriCaster TCXD850, you can leverage these mediums, by delivering your broadcast content in up to 1080p resolution, and stream live to the Internet, as well as other digital media in up to 720p resolution – the highest in the industry. With just the click of a button, you can simultaneously record your productions in up to 1080p resolution.

TriCaster TCXD850 supports video input from up to eight cameras, in any combination of HD-SDI, HD component, SD-SDI, SD component, Y/C and composite; and includes support for four channels of AES digital audio or balanced XLR analog audio per camera, and SDI embedded audio support for each camera connected through HD-SDI or SD-SDI inputs.

The TriCaster™ TCXD850 interface is set up much like the control room found in a live television truck. You have quick and easy access to virtual monitors and your live production tools, virtual sets, titling system, editing program, recording and streaming options and much more.

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1) LIVE PRODUCTION provides control of an entire multi-channel HD production. Connect up to eight HD or standard definition (SD) cameras, digital or analog audio, and go live with simultaneous output to video, projector and the Web.

 

2) LIVE VIRTUAL SETS in HD give you the flexibility of expansive, professional sets even though your location may have limited space. With live, multi-camera smooth zooming, show your talent in a network-style studio without the need for a camera operator or expensive motion control system. Sets include double box effects with options for stand-up and one or two presenters.

 

3) ON-SCREEN MONITORS let you select shots with confidence. Displays include cameras, clips and iVGA™ networked computer inputs, along with the ability to send all monitors to a second display, and enlarge your workspace.

 

4) PREVIEW AND PROGRAM MONITORS let you display titles or a transition on-screen, while showing what source is up next. Innovative color Waveform Monitors and Vectorscopes ensure perfect signal quality for your live production.

 

5) ADVANCED VIDEO SWITCHER gives you unprecedented control over all inputs. Select a live output on Preview, and use either the on-screen T-bar or the optional LC-11 hardware to transition easily from one source to another. Versatile production tools such as Virtual Inputs and dual downstream keys provide the ability to easily create dynamic overlays and graphics.

 

6) VIDEO TRANSITIONS add interest and impact to your live production. Use any of the 200-plus HD broadcast-quality effects to transition from one source to another and fly titles and inserts on and off screen.

 

7) LIVE TITLES give you a broadcast look with graphics, titles and animated overlays on top of your live video. Lock a title or bug to a camera or virtual input and set the in and out motion for each.

 

8) ONE-BUTTON INTERNET STREAMING allows you to use Adobe® Flash® or Windows Media® to deliver a live stream directly to the Web, in 720p HD and other streaming profiles with simultaneous archive for later viewing. ONE BUTTON RECORDING captures your live production as a full HD resolution video file.

 

9) AUDIO MIXING gives you complete control over microphones, line inputs and clip playback levels. You can also adjust input trim levels for the best possible audio. In addition, the system provides both AES and embedded digital audio for pristine sound.

 

10) DIGITIAL MEDIA PLAYERS include two DDRs for video playback, titles, stills, music and sound, making it easy to add video clips and imagery to your production, as well as auto-insert clips captured during a live event for immediate playback. HD and SD resolutions are supplied in a variety of popular file formats.

 

11) VIRTUAL INPUTS provide eight customized inputs to configure virtual sets, layer live elements, assign titles, set upstream picture-in-picture elements and much more. These settings can be used as templates for easy creation of other mix effects, and are instantly available in the preset bin along the left.

“TriCaster TCXD850 takes the TriCaster product line to a new level of performance, introducing a rack mount system with significant new capabilities, at all levels of production,” said Andrew Cross, executive vice president, engineering, NewTek. “This latest TriCaster continues to change expectations about what is possible in HD live production, enabling producers to deliver compelling live events, successfully engage their audience and create new revenue streams.”



TriCaster TCXD850 benefits and features include:



• 22-channel switcher with eight digital or analog inputs, two DDRs, two network inputs, titles, stills and eight virtual/mix channels

• Advanced overlay capabilities include rotation, positioning and scaling in 3D plus animated effects

• New live virtual sets in HD include double box effects with options for stand-up and one or two presenters

• Photorealistic LiveMatte™ virtual sets system with advanced matte generation and spill suppression for every switcher input

• Two network inputs deliver graphics from LiveText™, presentations from a PC or Mac® using iVGA™ or other computer sources to the switcher or overlay channels

• Simultaneous monitoring of all switcher inputs at full field-rate and signal integrity verification with color Waveform/Vectorscopes

• Using any combination of either embedded digital, AES or the16 balanced analog XLR audio inputs to bring in microphones, stereo or quad line level sources

• Audio mixing capabilities with audio follows video support and auxiliary routing to integrate into an external audio setup

• HDMI and VGA program outputs for projector (IMAG) or other monitoring applications

• 36 hours of 1080i recording capacity that can be extended by using the three removable drive bays

• Three video output rows provide flexible simultaneous HD and SD video output

• Durable rack mount 4U case with redundant power supply



With TriCaster, anyone can simultaneously produce, live stream, broadcast and project HD and SD network-style productions. A single operator or small team can create sophisticated productions, switching between multiple cameras, virtual inputs and live virtual sets, while inserting clips, titles and motion graphics with multi-channel effects. TriCaster is used by broadcasters, sports organizations, schools, houses of worship, government agencies and others to provide a new level of extended programming and content to their audiences.

 

TriCaster™ TCXD850 Specifications



 

Dimensions 21.5" D x 7.25" H x 19" W Weight 43 lbs
Video Input 8 Simultaneous Inputs.
Any Combination of: HD-SDI, HD Component, SD-SDI, SD Component, Y/C (BNC) or Composite.
HD-SDI Video Conforms to SMPTE 292M and SD Video Conforms to SMPTE 259M and ITU-R BT.656.
Audio Input 8 x 2 Balanced XLR at Line and Mic Level
8 AES3/EBU BNC Connectors
8 SDI Embedded Analog Audio Levels Conform to SMPTE RP-155 Phantom Power Option
Video Output1 3 HD/SD-SDI
3 HD/SD Component HDMI Output Aux VGA/DVI Output User Interface VGA/DVI Output
Audio Output 4 Balanced XLR (Program Out)
4 Balanced XLR (Auxiliary Out)
2 AES/EBU (Program Out)
3 SDI Embedded (Program Out)
1 Stereo 1/4” Headphone Jack
Video Processing 32-Bit Floating Point, YCbCrA 4:4:4:4 Audio Processing 32-Bit Floating Point, 96 kHz, 4 Channels
Supported Formats NTSC: 1080i 59.94, 720p 59.94, 480i 59.94 (16:9 and 4:3) Multi-Standard: 1080i 50, 720p 50, 576i 50 (16:9 and 4:3) Recording Capacity ~ 36 Hours 1080i 59.94 Removable Drive Bays for Unlimited Record Time and Backup Capability
Presets Numerous Preset Bins (includes individual production sessions) Mix HD/SD Sources Yes
Video Ingest 1, 6-pin IEEE FireWire® Tally DB15 Connector for 8 PGM Row Tally Lights
iVGA™ Network Selections 2 Channels Dedicated to Separate iVGA™ Sources (select instantly from unlimited network sources) Network Connection 1GBit Connection for Network Inputs and Streaming Output
Virtual Set Support Yes - 18 HD Virtual Sets Included Per Virtual/Mix Channel Overlay 1 Channel with Keying, Effects with Positioning, Scaling, Cropping, and 3D Rotation
Virtual/Mix Channels 8 Independent Channels with Presets Main Overlay 2 Downstream Keys with Independent Effects with Keying, Positioning, Scaling, Cropping and 3D Rotation
Media Player 2 DDRs, Stills, Titles, Audio Player (all video sources provide output with alpha channel, for use in overlays, virtual sets, etc.) On-Screen Preview Monitors "All Sources," "Computer Sources," "Camera Inputs," "Preview and FX" or "Scopes with Switchable Input" (full-time, tabbed - all run at full field rate)
Projector Output Yes - 16:9 and 4:3 Aspects Projector Resolutions Up to 1920 x 1200
Full HD 720p 16:9 Streaming Yes Live Webcasting Yes - Adobe Flash, Windows Media Push/ Pull and VC-1 Codec Support
Waveform Monitor and Vectorscopes Yes - Full Field Rate with Color Preview Record to Disk Simultaneous Recording of Full Resolution MPEG-2 and Archive of Web Stream
Integrated Character Generator Yes Nonlinear Editor Yes
File Formats AVI, DNXHD, DV, M4V, MPEG-2, QuickTime, H264, HDV, JPG, PNG, PSD and More Render Outputs AVI, DV, MPEG-2, MP4 (iPod and PSP), QuickTime
Form Factor Rack Mount (4U with optional rails) Redundant Power Supply Yes
Drive Bays 3 Trayless SATA II Removable Drive Bays Accessory Options LC-11, TimeWarp™ and LiveText™

1Both digital (SDI) and analog video output connectors are active at all times.

  • HD rows output HD-SDI and HD Component
  • SD rows can be configured as “SDI + Component” or “SDI + Composite + Y/C”

For live productions:

  • Output Row 1 and 2 run at the session resolution
  • Output Row 3 always provides an SD output, which can either be 16:9 or 4:3 aspect

For post productions:

  • For HD projects, all outputs are HD. Output consists of 3 HD-SDI and 3 HD Component
  • For SD projects, output consists of 3 SD-SDI connections, 1 SD Component, 2 Composite and 2 Y/C

Specifications subject to change without notice